While I work on my epic adventure story about the downfall of Atlantis, I have recently started loving the epic music of Two Steps From Hell. I like to write to it, which is really cool when I am doing an action scene.
It also struck me as Cirque du Soleil-ish in their shows. In fact, the game play videos that the link above is mated to started to give me ideas.
The venue is a enclosed stadium, with three quarters of the seating available. The stage is the field below that backs up to a mountain that encompasses the last quarter of the stadium.
Up and way in the back of the mountain is an orchestra and band blaring out epic songs that are piped through the stadiums speakers. The seats occasionally vibrate to the beat of the music.
Closer to the crowds, high over head are singers belting out the vocals of the songs. Angelic voices that tear at the heart or stir the emotions to the action below.
A massive fight scene develops on the stage or stadium field. Some participants are doing aerial jumps over their opponents. The stadium is darkened and parts of the action are highlighted with spot lights while others fade out to near darkness. In the back are the heroes, yet to enter the fray.
They carry on a conversation that the audience can hear through speakers near their ears.
Suddenly the stadium’s speaker blast a monstrous roar. Clouds of smoke start to bellow above the field of battle and a massive laser-drawn winged dragon appears above the battle. It beats it’s wings and the audience feels the wind stir around their faces.
The dragon looks at the heroes and talks to them via the chair speaker. It threatens to incinerate the audience. The dragon turns to the audience and inhales. One of the heroes knows magic and casts a large shield over the audience. The dragon’s fire blast rolls over the audience, as heated wind, hitting their faces with chairs shaking. A large laser light display acts as the shield blocking the majority of the fire.
This angers the dragon that then turns his attention on the battle below. A blast on the field furthest from the mountain causes another wave of heat to hit the audience. Fire engulfs the combatants. The combatants have disappeared, when the audience can see again, vaporized by the dragon fire’s intense heat.
The main hero yells No! and starts to run up the mountain towards the audience. The dragon turns to look at him and starts to inhale for another blast. The warrior leaps into the air. With his massive sword first, he is as an arrow, aimed to the heart of the dragon.
The dragon blasts flow around the hero, protected by his magic. The warrior pierces the dragon in a massive explosion of laser, light and pyrotechnics. The blast encompasses the audience with wind and a rumbling of the chairs. All of the combatants are floored from the destruction of the dragon.
So a theater production that takes Cirque du Soleil + Final Fantasy, to the music of Two Steps From Hell, sprinkle laser lights and active chairs (like Disney’s A Bug’s Life chairs).
I figure a two hour show with an intermission. Probably five different stories tied together via a few similarities like Final Fantasy does between stories. Something that can work on the same stage props (mostly the same). Acrobatic fight scenes with an overhead system that allows characters to do massive jumps over their opponents in the fights. Like the games or fantastic martial art type movie scenes.
Use the active chairs when something happens on stage. This would allow for giving the audience an experience beyond just watching the action on the stage. For example, a blast of fire washes over the audience (a small blast of hot air directed to the face of the seated audience) or chairs that rock back when a particular event occurs on the stage.
Also the actors voices could be projected through speakers in the chairs. This would allows the “din” of the battle, the music of the orchestra/band/vocals to be projected differently. Maybe these would come from the stadium/theaters speakers while the main characters would speak in the voices that best projects the emotions of the part (maybe pre-recorded).
Yes I love to dream.